Neither ‘Opera’ nor an opera…

SPOprogramme… but the singing of songs. St Paul’s Opera, Clapham, presented the Big Birthday Bash last Friday and great fun was had by all, as much on stage as in the audience.

It was a cold and windy night, with temperatures forecast to be sub-zero, but the windows of the church were lined with candles casting a warm and welcoming glow. Once inside we took a programme, found ourselves an unoccupied pew and fortified ourselves with wine. The church began to fill, many of the faces familiar,  until there was a good audience, ready and waiting to enjoy themselves.

SPOTeresaOpera and classical favourites, mostly ‘big tunes’, formed the first half of the evening’s entertainment, followed by cabaret and show tunes in the second.  Two Australians, a Greek and a Latvian as well as those native to these British Isles formed the company for the evening, several prize-winners among them. The singers were current and former members of SPO, clad in their shiny best (and that was the baritone’s black satin suit).  A theme reflected in the audience by SPO super-fan Teresa, in her sparkly rainbow biker jacket. Puccini and Rossini formed the backbone of the first half, spiced with Lehar, Bizet, Leoncavallo and Strauss with one Mozart piece to add a touch of the sublime. It ended with Brindisi, the famous drinking song from La Traviata. Post interval ( more wine, that song was prophetic, and meeting yet more friends and neighbours ) there was Offenbach, Britten and Bernstein, plus Cole Porter, Rogers & Hammerstein and Sondheim.

SPOTriciaHighlights? There were many. Lyric tenor Martins Smaukstelis singing ‘Maria’ from West Side Story – ‘knocked it out the park’ said my American neighbour; the aforementioned Mozart ‘Soave sia il vento’ from Cosi fan Tutti sung by Tanya Hurst, Alexandra Dinwiddie and Louis Hurst and birthday girl and SPO co-founder Patricia Ninian singing ‘Glitter and be Gay’ from Candide.

The performers were clearly having as much fun up on the stage as the audience were in the pews and there was even a sing-along-chorus to the Hippopotamus song (‘Mud, mud, glorious mud’) lead by Louis Hurst.  A grand finale and then it was time to go home (although there was a birthday party afterwards). This concert-goer, although invited, had to leave.

For anyone interested Tricia Ninian will be speaking at the next Clapham Society meeting at OmnibusSPOFinale Theatre on 21st February about establishing this favourite local opera company from scratch. Unfortunately I’m unable to attend, but I will be going to the the Masterclass at St Paul’s by David Butt Philip (Sydney Opera, the NY Met and Wiener Stadtsoper) on 3rd March – tickets £10. He will also be performing a Gala concert with some friends, Lauren Fagan, Stephanie Wake-Edwards and David Shipley, all alumni of the Royal Opera’s Young Artist Programme. This takes place on Thursday 24th March, tickets £30. I imagine that all these events will be very popular, so buy early.

Meanwhile I’m heading south for more music, this time flamenco. The 25th Anniversary edition of the Festival de Jerez begins on Friday so that’s where I’m headed. I suspect I might blog about it.  See below for some earlier versions (including videos) on The Story Bazaar site.

2018 Festival Round Up                 Camerata Flamenco Project                     Lamento

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